Saturday, January 9, 2010

A Few Good Men?




Its crazy how Jamaicans are labeled as homophobic worldwide. Usually by individuals who seek to judge before even before they know anything about what is considered acceptable behavior for a particular space. Personally I believe a lot of men are walking around and really don’t know how gay they are and subsequently there are a lot of latent lesbians in the dance. How else can one explain why women who should be straight- you know like 6 o’clock- are with men in pants tighter than female leggings, out and bad in bleached faces and pink shirts? Now if we are homophobs please explain the peacock at the biggest profile dance for the year?











Wednesday, January 6, 2010

Buju's Lawyer Confident

Arthur Hall,
Senior Staff Reporter


Noted United States criminal attorney, David O. Marcus, has expressed confidence that dancehall star Buju Banton will be freed of criminal charges.
"We're ready to fight this thing - the government's case has got no soul," Marcus yesterday in an obvious reference to Buju's recently released album, Rasta Got Soul.
Marcus was officially entered on Monday as the attorney on record to represent Buju in the United States District Court, Middle District of Florida, Tampa Division.
Buju, whose correct name is Mark Myrie, and two co-defendants, Ian Thomas and James Mack, were indicted late last year by a grand jury on one count of conspiracy to possess with intent to distribute five kilograms or more of cocaine, and one count of aiding and abetting the possession of a firearm during a drug-trafficking crime.
The three face the possibility of up to life in prison if found guilty on both counts.
But Marcus, who has appeared in several high-profile cases, remains unmoved as he rubbished the allegations against the dancehall star.
While withholding further comments, Marcus has started to prepare for the case, which should begin later this month.
The attorney has successfully defended several high-profile defendants and has a reputation in Florida as a first-rate legal mind.

Marcus led the defence team in the February 2009 acquittal of Dr Ali Shaygan, who faced 141 counts of selling pain medication to boost his income.
The attorney was also the man in charge of the defence of Gilberto Rodriguez-Orejuela and Miguel Rodriguez-Orejuela, the alleged founders of the infamous Cali Cartel out of Colombia.
In the meantime, the court has outlined the rules of discovery to be used in Buju's trial.
These include giving the prosecutors a maximum of 14 days before the trial to name any unindicted co-conspirator, whose statements would be used against the three accused men, and until January 11 to state if any electronic surveillance was used in the case and whether any confidential informant was used.
The US Drug Enforcement Agency has already claimed that it has Buju on tape testing a substance believed to be cocaine, and that the alleged deal to sell the cocaine was arranged by a confidential informant.

Cat Fights and Blow Jobs

It never ends really and you should find something better to do with your time than to waste it doing this. Until then here is the latest instalment of mind numbing idleness. Enjoy ^_^









Teacha Hit Me with a Ruler

Can some one please tell me why the teacher has expelled his Head Girl from out of the Gaza before the start of the new school year? After all it is not like she has disobeyed any of the Gaza commandments. For those of you not familiar with them:

no batty cauh fuck pon di gaza
no pussy cauh suck pon di gaza
no boy ball out informer.
we burn obeha swear to jah.
Gaza Commandments

Vybz Kartel


Clearly he didn’t say no cocky cauh suck pon di gaza. With that said following Hype’s performance at Sing her last as an Empire membr this statement was released by Mr. Palmer.

"Lisa Hype is no longer a part of the Portmore Empire. The members of the Empire have unanimously agreed to end our professional relationship especially in light of certain 'developments' that have come to our attention regarding her overall conduct, conduct that is not consistent with the decorum expected of a member of the Portmore Empire. She is an incredible artist and we wish for her all the best in her future endeavors, but Lisa Hype will not play a future role in the Empire as she no longer fits in with our organizational goals as we move forward in 2010."
Adidja "Vybz Kartel" Palmer


Wonder what poor Miss Felicia Gooden is going to do about all the Gaza ink she acquired in her short stay in the Empire. Maybe a benefit concert for her laser surgery? Not long after she released the following statement:
“I've just been released from my contract with the Portmore Empire but even though I am no longer the first lady of the Gaza, mi still ah say Gaza. Death before dishonour.
Mi nuh haffi be a part of the Empire fi still say Gaza. Gaza means fight for what you believe in and never give up...never say die. In every setback, there is an opportunity fi grow and right now, mi not going to stop, ah persistence mi say...all mi name change, my new name is Lisa HYPER. As a solo artist, mi can explore new directions, new challenges, and new freedoms, mi ah go mek it. I want to thank everyone at Portmore Empire for the love and support they’ve shown me and to the Teacha especially who enlightened me to nuff tings inna the world. Mi love everybody same way, nothing no change, memba say mi ah the first lady fi put Gaza pon mi knuckles and Empire pon mi neck . Mi wish everybody the best. Gaza fi life. Gaza till death.”
Felicia "Lisa Hyper"Gooden

The ‘R’ at the end makes all the difference you know. All the best Miss Hyper.


Monday, January 4, 2010

Bounty Killer Apologize to Shaggy and Friends



Cross! Hangry! Miserable! Too bad no one told Grung Gad that it wasn’t still Sting 09 but the nice little uptown Shaggy and Friends party (January 2, 2010,). The debacle took place when Mavado who was suppose to make a pledge invited Bounty Killa to share the stage and it all went down hill from there. Bounty who had a few choice words regarding homosexuals which it is felt caused promoters to pull the plug on the concert a head of time. However promoters denies closing the show due to the Five Star General’s tirade, sure because patrons would pay JA$30,000- $5,000 to go home early.



Bounty Killer has since released an apology:

After nearly 20 years at the top of the Jamaican music industry I have been involved in many battles - sometimes with fellow artists, sometimes with outside forces and sometimes with the state and its politicians. I've learnt to choose my battles wisely and the grounds upon which to fight them.



I've also learnt when to admit I didnt choose my ground wisely and Saturday night's Shaggy & Friends' show was one of those occasions. With so many politicians and members of the upper echelons of corporate Jamaica present, an audience I rarely get the ears of, I got caught up in the moment while expressing myself. I now realise it was inappropriate and extend my apologies to Shaggy, his sponsors, benefactors and all in attendance who were offended by my performance.



Alliance made a pledge to donate $250,000 to the cause and we will follow through on that promise and continue to support Shaggy and answer his call whenever he reaches out.

No Link Between Dancehall and Violence Among Youth

A study on violence and dancehall, led by Dr Donna Hope-Marquis, has found that there is no correlation between the two.

Funded by the Office of the Principal at the University of the West Indies (UWI), through the Special Initiatives Research Fund, the research was conducted among 300 15-24 year-olds in Kingston, St Andrew, St Catherine and Clarendon between June and August this year.

Hope-Marquis is a lecturer in Reggae Studies at the UWI.

For there to be a statistically significant link, there would have had to be a correlation of over 0.05 per cent between dancehall and violence. "The results were so insignificant that they could not be used as a guiding principle," Hope-Marquis.

Control and case grouping were used in the study and the persons participating were asked to respond to questionnaires which established, among other factors, their social background, music consumption and perception of music. In both cases, dancehall music was the favourite music, followed by R&B.

When asked if they believed dancehall music promoted violence, 55 per cent of the control group said yes, compared to 42 per cent of the case group. However, it is a case of the music being violent but not making them feel violent personally.

Forty-two per cent of the control group said that family members were influenced by dancehall music, and 37 per cent said friends, with the remaining percentage saying themselves. For the case group, it was 20.7 per cent family, 36.7 per cent friends, and themselves the remaining percentage.

Among the influences individual respondents identified were a desire to dress and dance like the artiste, with many respondents speaking to smoking marijuana and drinking alcohol. There was also the encouragement not to give up, to take up the gun, language and hairstyle, to become an artiste, having lots of sex, to get a good education, and fighting.

One respondent said that it "opened my eyes to see how others live", while another spoke about the influence "to become a gallis".

Hope-Marquis says the study is leading in a direction of not just looking at the cultural aspects of music and documenting it for posterity, "but also to try and understand from a scientific perspective how the music impacts on the society".

She pointed out that Jamaica has had a music industry for 50 years and we need a clear understanding of how it is woven into the lives of the people and what use they make of it. While Hope-Marquis has been on various panels and been involved in discussions, they have largely been about opinions.

"I am curious, after being in the eye of the storm for about 10 years," she said.

So now, someone is in a position to say definitively, "Based on the study done in 2009, there is no statistical correlation between youth consumption of dancehall music and violence."

"This study says that to me. Full stop," Hope-Marquis said.

The Last Don: Web Promo 1




Trailer of The Last Don, the upcoming film by Peter Dean Rickards this no doubt will be the sickest thing to bless your eyes. I know you cant rush perfection but Jah know PD hurry up nuh man^_^ Much love on the project man.

Free Up The General: ANTHONY B

Sunday, December 27, 2009

Local Academics Blamed for Falling Standards

Daraine Luton
Several local academics who daily sing the praises of dancehall, as well as its main practitioners, are being blamed for the falling standards of Jamaica's music.
In fact, at least one veteran player in the music industry believes these dancehall apologists are only seeking ways to promote themselves.



Mikey Barnett, veteran producer, told a Gleaner Editors' Forum last week that the strong defence of dancehall being mounted by academics is "self-promotion and not about the music".
"These are persons who left Jamaica, came back to Jamaica, and wanted to find a way to get known in a hurry, and so they jumped on the dancehall bandwagon," Bennett charged.
He added: "The quickest way to get known in the society and to make a name in the society was to support a cause that the grass-roots people in Jamaica, which are the majority, are associated with, and that was dancehall music."



The music producer, who told the editors' forum that he was not a fan of dancehall music, is the second person in recent weeks to articulate such views.
Dr St Aubyn Bartlett, member of parliament for Eastern St Andrew, told a parliamentary committee recently that the "new PhDs" are responsible for the continuation of the foul lyrics being spewed from the dancehall.



Bartlett was responding to Cordel Green, executive director of the Broadcasting Commission, who told the Human Resources and Social Development Committee of Parliament that a teacher-education programme on media literacy was being developed.
Green said the aim was to help schools to protect students from poisonous music.
But Bartlett said he was concerned because the "educators of these trainers - and I am speaking about some of the new PhD and the new master of science in dancehall and in you know, all kinds of things - sometimes the defence that they put up for these dancehall artistes, you wonder whether these persons are supposed to be training the trainers to deal with children at the primary level."


Added Bartlett: "... When a professor from the university backs the Gaza and Gully and the dancehall tradition in some of the wickedest lyrics that come out of it, you know, you hear at the corner from the professor or from the university man, dem like it, so a must something good."
However, at least one academic has taken issue with the criticisms of persons who study dancehall.


Dr Donna Hope-Marquis, a lecturer in Reggae Studies at the University of the West Indies, said it is not ignorance that motivates people to hold such antagonistic views of students of the art.
"It could be selective amnesia and selective reading," Hope-Marquis.
"It would be good if individuals who talk about something that is an important part of Jamaican dancehall culture would read some of the works that have been done on dancehall," Hope-Marquis said.


She argued that history demonstrates that music forms, such as reggae and mento ,have been subjected to similar criticisms in the past and time has vindicated them.
"I found it very interesting that almost 50 years ago, we were having very similar discussions about a part of our popular music, which was seen as having the propensity to damage the psyche of our children," she reasoned.


The Reggae Studies lecturer and dancehall expert said that an unfortunate aspect of public discourse was a propensity to dismiss aspects of Jamaican culture as bad.
"It would be very good if we try to move away from painting our cultural output as one thing only and look at it as a whole, which has many facets," Hope-Marquis said.
Notwithstanding the criticisms, Hope-Marquis has pledged not to back away from studying and documenting the music form called dancehall.


"If I am not a part of the documentation of Jamaican culture, what happened with reggae where 90 per cent of what is written is written by people who are not Jamaicans, the same thing will happen with dancehall. I live here and I consider myself a student of Jamaican culture and I will continue to do the work, even when I have to do it at odd hours," Hope-Marquis said.

SHUT 'EM UP! 'Too much freedom in the name of creative expression'


Daraine Luton, Senior Staff Reporter
daraine.luton@gleanerjm.com

Declaring that Jamaica's music has died, producer Mikey Barnett says the Government needs to restrict freedom of expression if the society is to survive. "The Government has failed in its role to protect the society from itself - meaning artistes of today. There is too much freedom in the name of creative expression," Barnett told a recent Gleaner Editors' Forum.


Barnett argued that the Govern-ment had allowed a small societal sore to turn into gangrene before trying to fix it. He said the decline in Jamaica's music is going to be impossible to address because the State allows everyone to freely express what he or she wants through areas such as music. However, the director of public prosecutions has said freedom of expression is not the problem.


Paula Llewellyn told stated that it is inertia and lethargy on the part of many citizens which is the root cause of the problem. "Everybody is guaranteed - under our Constitution and by virtue of being a human being in a civilised society where principles of democracy hold - freedom of expression," Llewellyn said.


"Too many of us are afraid to rock the boat, in that we do not wish to be singled out as pointing out that the content of a song like Informer Fi Dead can undermine the moral fibre of the society and help to inculcate fear in respect of doing your duty if you have witnessed wrongdoing or a breach of criminal law," Llewellyn.
Last week, Barnett told a Gleaner Editors' Forum that he did not support dancehall music because of what it stood for. He charged that the music bred violence and spewed profanity throughout the society and should be controlled through legislation."It is a lack of political will that has caused this, because whenever they (legislators) attempt to put in laws, people say you are stifling their creative expression, and so they back off," Barnett said.


In defence of his stance, the music producer said persons should not "defend creative expression at the risk of destroying the society". "We have to make up our minds whether we want freedom of expression for everybody, or a controlled situation to protect our children," Barnett said.


However, Llewellyn argued that people should be more cognisant of lyrics and be willing to speak up against transgressions. She said Jamaicans should respect each other's right to freedom of expression but "be prepared to indicate that the particular lyrical content of a song is not appreciated".


Llewellyn's position has the backing of Senator Warren Newby, parliamentary secretary in the Ministry of Culture, Youth and Sports.
He argued that the State should not infringe on a person's freedom. "If an adult decides that slackness is his or her form of entertainment, I don't think the State should get involved to say 'You can't listen to that'. If he pays to go into a venue that is sanitised from the general public and wants to listen to slackness in that venue, then the Government has no role to play in that matter," Newby said.


He added: "What needs to be emphasised in today's Jamaica is the role of parenting. People must take personal and social responsibility.


"We must empower communities and the parents to take greater care of the socialisation of the children so in the event that they hear music that is not wholesome, they know not to gravitate towards it," Newby said.

Saturday, December 26, 2009

Sting 09 Face Off or Unification



It all started with Sting 08 so all year in the back of my mind I felt a little obligated to go to Sting and do a review every year. To be honest I’m really not feeling a Greatest One Night Show vibe. Forever Sting has been associated with great and sadly sometimes lukewarm clashes. This year was supposed to be the Gully/Gaza clash, Posters strewn all over Kingston with Mavado, Bounti Killa, Kartel and Merciless with the heading ‘Face Off’. Regardless whether you chose to be Gully Gangster or like the Most Honorable who says “Gaza who nuh like it go chuck off inna gully!”
Or you like most didn’t really care what them ol niggahs were doing cause they making money either way no one could escape being inundated with the feud.

Unfortunately for the Sting promotion team the President was getting tired of all the foolishness, and at West Kingston Jamboree the Gully/Gaza Lords put away their differences (for now anyway). So Dudus did what the Broadcasting commission (Radio Nazi), Bruce and all his kings’ men and every other morally upright group in Jamaica couldn’t do, which is to put the music together again. Well loosely anyway, why again them want to extradite him when he gets the important things done? Clash done, Kartel and Mavado go to Jamaica house and agree to a five point initiative which includes a Paint out day, Happy gully/gaza t-shirt day to replace the buttons the future taxi men and bus conductors presently wear depicting Kartel and Mavado as real killers.

There is talk that this peace is not one that the Warlord has sanctioned. Hence the Warlord is still on the Warpath for the “Ungrateful Hell Boy.” Unfortunately Vybz Kartel says No Mas. What’s left for Sting this year, LA Lewis Vs Goofy and Sky Juice Vs Tony Matterhorn?

So now it’s the 26th don’t expect a Sting review cause I’m not going. Ill be at Flash brought to you by the Utopia people. Where I am certain at no point in any conversations I will have there will include the phrase “Gaza Mi Say!” nor will I use Goodaz as noun, pronoun, verb and adjective for the entire night.

Nowadays Boopsie



I'm loving the Assassin on this, heard it this morning and couldn’t stop laughing cause Super Dee was the dance I use to get my ass beat for when my mother found out I snuck out on Sunday nights.

Monday, December 21, 2009

Thursday, December 17, 2009

Stacious vs. Lisa Hype

Sometime last week … I don’t care when Stacious drops this song Head which although she says it has nothing to do with Lisa Hype and her secure position at the Head of the Gaza class it does draw reference to a certain picture circulating the internet. However to the Gaza First Lady them’s fighting words. Thus the sweet stinking garbage you have been blessed with below, to be honest one can think of a million different ways to waste time than to listen these songs. But if you insist on said assault to your ears and what remaining brain cells left below are all four songs released by these lovely young women. Enjoy ^_^












Wednesday, December 16, 2009

Buju Banton Officially Indicted


Reggae artist Mark ‘Buju Banton’ Myrie, has been officially indicted by the US District Court in Tampa, Florida. The indictment filed Wednesday, alleges that Banton as well as co-accused Ian Thomas and James Jackson Mack knowingly and willfully conspired to possess with intent to distribute over five kilograms of cocaine. The document also states that the artiste and the other two men knowingly and intentionally possessed a firearm during the course of committing a drug trafficking crime.

The US government also appears to be going after any assets owned by the men, as the indictment states that the defendants shall forfeit to the US any property obtained as a result of the violations or any property which was used to commit the offences.
Good thing Lorna got her share before all of this started.

In a surprise move, Gargamel decided to waive his bail hearing which was scheduled for Wednesday morning, in a Miami federal court. He decided to fight the drug charge against him in Tampa, where he will be transferred. It is not yet certain why the artiste changed his mind about the bail hearing.

U.S. Magistrate Judge William Turnoff issued a temporary order of detention. Attorney representing the reggae star, Herbert Walker had earlier declared he intended to push for Banton's release Wednesday on the grounds that he is not a threat to the community.

Buju has been behind bars in a Florida jail for the past seven days. He was arrested on Thursday during a sting operation involving personnel from the US Drug Enforcement Administration. The artiste and the two men charged along with him face up to 20 years in prison if convicted.

Monday, December 14, 2009

Buju Held for Cocaine Possession in the United States


On December 10, 2009 the most unlikely sentence was assembled and that is; Dancehall artist Mark ‘Buju Banton’ Myrie was arrested on a charge of conspiracy to possess with intent to distribute more than five kilograms of cocaine. The Banton is presently held up at the Federal Detention Centre in downtown Miami his release date still unknown.

It is a bit unsettling to know that the Gargamel who is now Inmate 86700-004, should be arrested for coke and not weed this little detail has many a conspiracy theory sprouting all over the internet. Buju was coming off a very successful and equally controversial North American tour to promote his Rasta Got Soul album, his ninth which is also nominated for a Grammy. Massive protests by gay and lesbian groups plagued the tour as Banton was accused of promoting violence against gays through the lyrics of his songs (more specifically Boom Bye Bye). This subsequently lead to a meeting of the involved parties in San Francisco however not much if anything was achieved.

To date Buju’s record label Gargamel Music has kept quiet about the incident, even as authorities alleged that Buju and another man were caught on surveillance camera. Details of the arrest and subsequent charges will be released the morning of 14th December.

Tuesday, December 1, 2009

King and Queen: Richie Spice and Alison Hinds

Bob Join Grammy Hall of Fame

By Daniel Kreps
Rolling Stone


Recordings by the Beach Boys, Bob Marley, the Doors, James Brown and Janis Joplin have been named as 2010 inductees to the Grammy Hall of Fame. Twenty-five recordings from a variety of genres will be added to the Grammy Hall, which currently includes 851 titles altogether (songs are eligible 25 years after release and the picks are approved by Recording Academy Trustees). The Doors’ L.A. Woman closer “Riders on the Storm,” Joplin’s final album Pearl and the Beach Boys’ classic “California Girls” will be among the recordings added to the collection.

“This year’s Grammy Hall Of Fame inductees highlight a diverse array of masterpiece recordings that have had a profound impact on our musical history,” Recording Academy President/CEO Neil Portnow said in a statement. “The selections are timeless staples that span six decades and represent a wide range of genres from comedy to rock, reggae, jazz and R&B. They all greatly deserve to be memorialized.”

Check out the complete list of the 25 recordings entering the Grammy Hall of Fame below:



Dooley Wilson – “As Time Goes By”
Weather Report – “Birdland”
The Beach Boys – “California Girls”
Bob Marley & The Wailers – Catch A Fire
George Carlin – Class Clown
Billie Holiday – “Crazy He Calls Me”
King Oliver & His Jazz Band – “Dipper Mouth Blues”
Duke Ellington & His Famous Orchestra – “Don’t Get Around Much Anymore (Never No Lament)”
Ella Fitzgerald/Count Basie – Ella and Basie!
Jose Feliciano – “Feliz Navidad”
Judy Garland & Gene Kelly – “For Me and My Gal”
Mahalia Jackson – “His Eye on the Sparrow”
Muddy Waters – “I Feel Like Going Home”
James Brown – “It’s A Man’s Man’s Man’s World”
Stan Getz/Charlie Byrd – Jazz Samba
Jelly Roll Morton – “Kansas City Stomps”
Louis Armstrong – “Lazy River”
Louis Armstrong & His All-Stars – Louis Armstrong Plays W.C. Handy
Nitty Gritty Dirt Band – “Mr. Bojangles”
Janis Joplin – Pearl
The Doors – “Riders on the Storm”
The Isley Brothers – “Twist and Shout”


Tuesday, November 24, 2009

Bob Marley: Richest Dead Celebrity

By Erik Heinrich,
Contributor (CNN Money)

Is reggae superstar Bob Marley bigger than Jesus? That's debatable, but the music legend who died 28 years ago is about to challenge Elvis Presley and Michael Jackson for the title of richest dead celebrity.

Toronto-based private-equity firm Hilco Consumer Capital has struck a management deal with the Marley estate, which is expected to generate worldwide annual sales in excess of $1 billion by 2012. That seems like a huge number, but by some estimates the Marley name, sound, and image already generate as much as $600 million in pirated merchandise. "Marley is a strong global brand," says Mickey Goodman, a professional marketer and professor at New York University's Stern School of Business. "He enjoys a high level of awareness, and people feel positive about his music."

Major licensing agreements for the Marley brand are about to be launched in two key areas: consumer electronics -- including headphones, docking stations, and speakers -- and health care, which will likely feature skin-care products and herbal supplements. Also in the works, according to Hilco, are deals for a Marley-branded calming beverage, a video game similar to Guitar Hero featuring Marley's songs, and a chain of restaurants celebrating the music superstar. Could this be commercial overkill for the Rastafarian whose spiritual songs about social injustice, hope, and redemption have become anthems for billions of fans, from Marrakech to Tokyo, and will it alienate them?


"This is not just about money," says Jamie Salter, Hilco's chief executive. "We have to believe in the people and products we partner with." Salter adds that the Marley estate will have final say on all business ventures, and that charities will figure into the overall mix of Marley branding. Licensing of dead celebrities is an industry that has exploded in the last decade, thanks in large part to the proliferation of websites and blogs devoted to their memory. Typically, an estate receives 10% to 15% of gross proceeds from a licensing deal, which in this case will be divided between Hilco and the Marley family.




The artist who created such reggae hits as "One Love," "No Woman, No Cry," and "I Shot the Sheriff" fathered a total of 13 children, some out of wedlock, and it's not clear how many are included in the estate. Salter declined to explain how proceeds will be divided between his management company -- which also has an equity stake in a number of high-profile brands, including Polaroid, Sharper Image, and fashion label Halston -- and the Marleys. However, at a conservative 10%, licensing fees from $1 billion in annual sales should pull in about $100 million for Hilco and the Marleys. That tops the latest figures reported for Presley ($55 million), John Lennon ($15 million), and Jimi Hendrix ($8 million).
Michael Jackson -- who is worth more dead than alive with an estimated $90 million in earnings in the last 12 months -- appears to be Marley's nearest rival for the richest-dead-celebrity crown. However, much of Jackson's reversal of fortune is due to a sharp spike in the sales of his albums and merchandise in the weeks following his death, as well as the one-time success of "This Is It," a film documenting rehearsals for shows he never performed at London's O2 arena. But the danger of operating the Marley marketing machine in overdrive is that it could irreparably harm the natural mystic's image. Some brand experts now view Elvis as more of a caricature than icon as a result of overexposure.
For Sanjay Sood, director of the Entertainment & Media Management Institute at UCLA, there's one question to ask: If Marley were alive today, would he want his name associated with a particular product? "A lot of artists would say 'no,'" says Sood. "Otherwise, they would have done it when they were alive."
Presley's estate, which is managed by New York-based CKX, launched a line of clothing that turned out to be a bust. (CKX also controls the Muhammad Ali brand and has an equity stake in the company that produces the "American Idol" television show.)
More recently, Lennon's widow Yoko Ono has licensed her husband's song "Real Love" to be used by JC Penny in television ads, and she's given Ben & Jerry's ice cream permission to release a Lennon-inspired flavor called "Imagine Whirled Peace."



Salter of Hilco says the Marley brand has a long way to go before reaching saturation, noting he also considered doing business with the Dean Martin, Marilyn Monroe, and Jimi Hendrix estates, but settled on the Rastafarian from Trench Town, Jamaica, because that's where he says he saw the biggest potential.

There has never been a better time, it seems, to be a dead celebrity -- or perhaps, more precisely, the heir to a dead celebrity's name.

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Sunday, November 22, 2009

To the World: Usain Bolt's 9.58 SuperParty

On Saturday, December 5, Usain Bolt , OJ, C.D. will simply be DJ Usain at his 9.58 SuperParty. It will feature an exceptional blend of music, top class achievers and performers combined with the spirit of giving, and uniquely packaged in an unforgettable, once-in-a-lifetime party experience. Bolt will invite his friends, family and fans to celebrate with him, in real Jamaican style, at the end of what was a most exhilarating international athletics season.



Bolt, who is a major giver to the United Way seeks to find ways to increase the contributions that he makes to charities such as the development of youth and sports, as well as other needy projects. Proceeds from the SuperParty will be channeled through the United Way to be distributed among the projects with which he has aligned himself. A significant percentage of the proceeds will also go into assisting with the purchase of land for a health centre in his hometown of Sherwood Content, which now faces the possibility of losing its home.


In addition, Bolt takes his self-appointed task of promoting Jamaica to the world very seriously, and tries to do this in every way that he can. He will be inviting persons from all over the world to come and experience Jamaica and to get to know the country which he holds so dear.


The event will be a party and concert featuring a range of high quality International and Jamaican acts. The night will feature reggae and dancehall music mixed in with hip-hop and R & B. Bolt has included himself as part of the entertainment package that includes professional DJs - ZJ Liquid, Jazzy T, Coppershot, Stone Love and Tony Matterhorn. Stars who have been contacted for performance include, The Dream, Vybz Kartel, Beenie Man, Etana, Sly and Robbie and a host of other top performers. Incorporated into the entertainment will also be popular dancers Mystic, Kieva and Ding Dong. Highlights of the night will include an exchange of gifts between Usain and the Marley family as well as presentations of autographed gifts from Usain to invited celebrity guests. Bolt will act as the main host of he event, randomly interacting with the audience on every level and injecting bits of his unique personality into the event.

Bolt will extend personal invitations to a special list of friends who he has met over the months of his athletic season, as well as to individuals who he has admired over the years and whose work and achievements he holds in very high regard. He hopes that based on their availability some of these persons will be able to attend the event and celebrate with him. Included on the list of invitees are:
• Wallace Spearmon
• All members of Jamaica’s 2009 World Championship Team
• Michael Jordan and other retired players
• Emmitt Smith, Dion Sanders
• Members of the USA Track and Field Team
• Other Caribbean Stars
• Tiger Woods
• Michael Phelps
(Sanya Richards and Michael Phelps have indicated they will not be able to attend due to previous commitments, they have agreed to support the event. Phelps will in fact sending personal memorabilia for auction at the event.)

Gates open 7 pm, Party starts 8 pm, Live Performances start 9.58 pm sharp, tickets go for J$2,000/US$25.00 presold and J$2,500/US$30.00 at the gate that’s for Gen Pop. VIP J$4,000/US$45.00 presold and J$4,000/US$45.00 at the gate. Then VVIP J$7,500/US$85.00 presold and J$7,500/US$85.00 at the gate. So who’s gonna get me tickets?
For more information:
or



Max Romeo's Definitive Collection


Mel Cooke, Gleaner Writer
If he could have found people willing to give voice to the lyrics he penned, Max Romeo would have never stood behind a microphone.
"I did not have singing on my mind. I loved poetry. I wanted to be a writer," the man known for saucy songs such as Wet Dream, the wry War Inna Babylon and the joyous Let The Power Fall on I told The Sunday Gleaner.

However, "Nobody would sing my songs. They said they were stupid, so I recorded them myself," beginning with I Will Buy You a Rainbow in 1967.
Forty-two years and 42 albums later (with a final one in the works at his Charmax Studio in Palm, Treadways, St Catherine), Max Romeo is releasing the bulk of his extensive catalogue on 10 CDs of 16 songs each. The first five are already out and he is hoping that the next half of the collection will be released before Christmas.

"If you follow my career, I am a person who likes to be original. I have never heard or seen it done before, so I decided to do it," he said.
The collection spans his first recording, Buy You a Rainbow, to 2006's A Little Time For Jah.
He has an eye on his own mortality and has no doubt observed the chaos that has befallen the estates of other singers. "One of the main things is to get the Max Romeo songs in one stable, so in my passing my kids won't have to be all over the place. I am happy to be alive to gather them up for my children," he said.

It helps immensely that Romeo's brother, Lindbergh 'Black Lindy' Lambert, who lives in England, has painstakingly collected the songs from the get-go. "He can find all Max Romeo music," the singer/songwriter said.
The nature of the music business being that a performer will record with multiple producers over the span of his career or even consecutively, almost invariably there are disputes over rights when collections are being put together. Max Romeo has had none and does not anticipate any. "Most of the producers are dead," he said. Further, "I have no contracts with these guys. They never paid me. I am waiting on that (contestations) to happen so I can take them to court."

Each CD in the collection is presented as a chapter, the songs being individual verses. Romeo says "The number one selling book in the history of the world is the Bible. It is written in chapters and verses. I am trying to pull the people who like the Bible." Fittingly, then, the first verse in the first chapter is Maccabee Version.
There are some songs that Romeo has deliberately culled from his career-defining collection - the raunchy songs he did before his growth into Rastafari in 1971. Wet Dream, which he says is "semi-rude", makes the cut. The others will be included on another album, Banned and Censored, "for those who like to hear Max Romeo sing about what they are making noise about today". He also plans a live performance CD.

So he has a lifetime of material to choose from at the Charmax showcase, slated for the Palm Community Centre, Palm, Treadways, on Saturday, December 5. Also performing will be his sons, the duo Rominal, Ruffian, Sophia Squire, Jallanzo, Nitro, Singing Cologne, Anjalee, Prince Allah, Dub Tonic Kru, Jimmy Riley, Warrior King, Lutan Fyah and Ras Murdack.
Romeo is satisfied with the response so far to his catalogue collection. "The people are very excited. They can't wait to get it," he said.